As the year wheezes to a close it is mete and just to tip one’s chapeau in the direction of what’s occurred and speculate about what’s to be doobee doobee do. For me, no backwards glance would be complete without a hearty vote of thanks to the inimitable Taz Mopula who has provided me with so much wit and wisdom. Indeed, starting this blog would have been unthinkable without his pithy, provocative, and prolific postulates.
“For the sake of convenience be your own best friend. It’s always easy to get in touch with you.” Taz Mopula
In the church basements we say that – those who do not drop to their knees voluntarily will surely be knocked to their knees. They also point out that pride leads the parade referred to as The Seven Deadly Sins.
The following is an excerpt from WASHED UP, my deliciously wicked deconstruction of alcoholism, recovery, and spiritual evolution.
The following day was exquisite. It was Sunday and June was showing off. The region was swarming with activity. Houses of worship inhaled congregations and blew them back onto the pavement. Neighborhood parks were infused with random energy, basketball, baseball, children chasing Frisbees and squealing with unqualified pleasure. Well-dressed joggers methodically puffed, patiently outrunning their concerns. But towering over everything else was the enterprise referred to as chores. Gardening, cleaning, pruning trees, scraping, sanding, and painting. People who earned in an hour what a laborer made in a day put on the grubbiest clothes they could find, grunted and groaned like professional wrestlers and worked up an honest sweat. The steady beat of hammers, groaning of drills and the high-pitched whining of circular saws melded into one long, continuous sound, a symphony of suburbia.
The Stillwater residence was very old, Provençal, and fashioned from stone. It had grandeur in abundance but was short on care. The tall French windows with their leaded frames had a habit of rusting at the hinges. The cobblestone driveway, seemingly designed for the imminent arrival of a princess by carriage, heaved and shifted every winter as water seeped between the cubes, froze, expanded, and widened the fissures. The slate roof was beautiful but leaky, the chimney was cracking like a well-worn shoe, and the swimming pool had taken on a life of its own. From its setting on a rather steep embankment it was gradually beginning to migrate, or, to put it more precisely, part of it was heading west, leaving the remainder to fend for itself. The result was a highly impressive crack that rendered the pool less than watertight. If the progress of the crack continued unabated, it wouldn’t be long before the pool’s outer half slid into the neighbor’s yard.
Danni was very much a Styckney at heart, daddy’s little girl. She understood that every single one of these faults could be remedied by sturdy wee workers. This idea was abhorrent to her. Regardless of how rich she actually was, and she wasn’t even sure exactly, she detested the idea of burning money up simply because it was possible. The way that she explained it was pure CS: “I’d rather give it all to charity than watch it disappear down the drain.” Her philosophy extended further. Why would you hire somebody else if you can do the job yourself? Work was good for the soul, she thought, noble and virtuous. Good for the body, too, for that matter. She was staggeringly unsuccessful in selling this philosophy to Ned. He seemed to be committed to the principle that in order to make certain a thing is never done, one must first put it off until tomorrow.
Ned devoted vast amounts of energy, time, and imagination to avoiding even the simplest of tasks. For weeks Danni had been pleading with him to pay some attention to the door. It wouldn’t close correctly and it couldn’t be locked. Instead of grabbing onto the problem, Ned was thinking of a poem. He hadn’t started writing it yet, of course, but he was certainly considering it. After Ned developed an idea, he jotted down some notes on a napkin, then he stuffed the napkin into a drawer. Finishing a poem might lead to someone seeing it and then he’d be judged on the results! This grisly prospect kept the napkins in the drawer. If anybody, anywhere, referred to his work as anything less than superb, the result would be an absolute catastrophe. If they described it as lousy he’d be ruined for life. If they called it mediocre he would hang himself. These were the risks of going to the public. But when it came to thinking of a poem, considering how it might go, Ned wasn’t merely at the top of the heap. Ned was in a league of his own.
The subject of the poem was the seven deadly sins. With a gift for discovering significance where there was none to be had, Ned had observed that the number of sins was equal to the number of days in a week. A previous observation, that the number of disciples matched the number of months, was discarded early on in the process because of the apparently insoluble challenge of finding a good home for Judas. Ned felt certain that his deadly sin idea would prove to be a more productive vein. The protagonist committed all seven sins in the span of only seven days. Then he imagined the sequence of the sins, lined up in ascending intensity, ending with a glorious damnation. After quite a bit of time thinking about it, time he could have spent repairing the door, he settled on a sequence with which he was satisfied. Sunday: sloth, primeval man, wallowing in the swamp. Monday: gluttony, bestial man awakes, conscious of his basest appetite. With Tuesday comes awareness of others, and hunger for what they possess. Wednesday: envy, corruption expands as desire turns into resentment. Thursday: lust, nostrils flare, madness, shrieks of domination. Friday: pride and separation, the man regards the world with disdain and contempt. Saturday: anger, bloodshed, he believes that he’s entitled to everything he sees, everything he desires. When denied, he replies with furious vengeance; death is his pleasure and his reward.
Ned enjoyed the elegant compression, a highway to eternal damnation. Briefly he considered damnation itself, a concept that meant little to him. Eternal damnation, Ned believed, would be listening to Barbra Streisand performing a medley of her favorite songs written by Andrew Lloyd Weber. He tried to recollect an old expression: In hell, the engineers are Italian, all the greatest chefs are from Britain, opera is composed exclusively by Germans, and comedians are shuttled in from Switzerland. The doctrine he adhered to had been learned at the feet of the jazz musicians he worshipped. “Hell’s here on earth,” they were fond of repeating, “it can only get better after this.” These artists paid dearly for their cynicism, compelled by their profession as they were to routinely encounter nightclub owners and recording company executives.
Ned’s cynicism was different; it was borrowed rather than earned. He was owned by Danni and her father, a velvet prison cell he’d constructed for himself. His complaining was relentlessly inventive; no matter what the problem was, it wasn’t his fault. In fantasies he remedied his deep dissatisfaction by carefully eliminating Danni. This didn’t mean he didn’t love her; he did, in his own peculiar way. He loved the idea of loving her. Danni was everything: beautiful, cultured, rich, and good to him. But that didn’t make enough of a difference. Ned didn’t truly love anyone, including himself. He dreamt of killing Danni for reasons of expedience. Without her in the picture, he could stash the twins in boarding school and go to Paris where he belonged, play a horn as cool as Chet Baker, write pugilistic prose like Papa Hemingway, and dabble in a glamorous lifestyle that might include a heroin habit and knock-down-drag-out fights with alcohol. He could see it all so clearly that he almost ached. How handsome and dissolute he’d look; hip, scrufty, cavalier. Art required very great sacrifices, and as long as others made them, it was okay with Ned. Guns, knives, crescent wrenches, all of them were out of the question. Obvious, messy; most of all, outré. Pills were an attractive alternative but Ned preferred the purity of drowning. There was something fine and mythical about it. Water is the source of our living, he thought; we’re actually made out of water. Water is the essence and the origin of life; death by drowning would be Danni’s voyage home. Keeping her submerged for a couple of minutes wouldn’t be a problem at all, no screaming, no blood, no evidence. Danni would look marvelous under water; long red hair fanned out like a mermaid. Disposing of the body would be quite another story. God, thought Ned, really, everything is so much trouble! He studied the defective door carefully and determined it did not require mending. It was functional, after a fashion, and burglary was very unlikely. He tested its utility by entering the house, went to the living room, dug out something tasty by Lester Young and threw his body onto the couch.
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